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Some Thoughts On Wonder Woman (With a Tribute to Adam West)

It’s all about DC today, folks. Before I get into my thoughts on the latest entry into the DCMU, I’d like to talk about Batman. Specifically, about Adam West.

I really hate writing tributes like this one. It means that another icon from my childhood, another source of my early inspiration, is gone. The one I wrote for Carrie Fisher was sheer pain. Every. Word.

This one is no different. My lifelong love of Batman came originally from two sources:  the Super Friends cartoon (in all its various incarnations) and Adam West’s portrayal of the Caped Crusader.

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Sure, the ‘60s version was campy and silly as all get out, but there’s more there. Strip away the shark repellent, the Batusi, and the moments of utter cheese, and you still have a character worthy of consideration.

Batman is a hero, not an anti-hero. He works within the law, almost to a fault, and cooperates with the police at every level. He is noble, optimistic, kind, and prefers to handle things without violence, if possible. He’s someone kids can look up to, to aspire to be. That’s the Batman I know and love.

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And I can think of no actor who could have played that role better than Mr. Adam West. For the rest of his life, he was good to the fans. And from what I hear, he had a great sense of humor, about his work, and about himself. I regret that in all my convention-going over the years, our paths never crossed.

As a kid in the country, just struggling to find his place in the world, West’s Batman taught me to always do what is right, no matter the situation, and that even personal tragedy can be overcome and channeled into something positive. Say what you will about the bright costumes and the ZAP! and POW! fight scenes, but West’s Batman didn’t live his life under a shadow.

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And you know, there’s just something about that show, something that gets you right here. (That’s my heart, BTW.) It’s like watching the original Star Trek. They got it so right, even if it may seem dated to a more modern audience.  Give the original Batman theme a listen, and tell me it doesn’t bring a gleam to your eye or a smile to your lips.

For giving us all of that, I say a heartfelt goodbye to Mr. Adam West. Goodnight, old chum. Tell Yvonne Craig we all miss her.

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Thank you.

___________________________________

And now, Won-der Womaaan! I considered writing my thoughts up in my “Fanboy Review” format, but abandoned that immediately. I want to go more in-depth into what I think of this movie, and the impact it has already had/has now/will continue to have.  Some spoilers ahead. You’ve been warned.

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Stop a bullet cold…

First thing right away: I liked this movie. Really liked it.

I’ll admit that I had reservations since this was part of DCMU. I have not been a fan of DC’s offering thus far on the big screen. I strongly disliked Man of Steel and Suicide Squad, and absolutely hated…the other one, you know which one I’m talking about. I don’t even want to say its name. Hint: MARTHAAAAA!

However, the best part of that one, was Gal Gadot’s inclusion as Wonder Woman. It felt like Diana’s role was pretty tacked on in that story, but at least we got one hero in a movie that was supposed to have three.

This movie, Diana’s origin story, shines were the others in the series fall flat. It’s not caught-up in the ‘cult of the badass’ syndrome that seems to plague the other movies. Diana is certainly powerful, and it’s a treat to see her punch through a tank or take the entire top floor of a building out. But this power is tempered by her humanity and compassion, the very things Ares seeks to take away from her in the end.

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…make the Axis fold…

She’s been sheltered on Themyscira her entire life. That leads to much naïveté, but I loved even that.  Throughout the movie, Diana can’t just sit idly by when something is obviously wrong. She says something about it. She acts when most others would let it go. She hasn’t been conditioned that ‘that’s just the way it is’ or lets anyone define her role for her. Oftentimes she is reacting to injustices that society is content to just sweep under the table. And that makes the World War I setting so perfect for this story.

Beyond that, I like this movie for what it isn’t. Gal Gadot is a beautiful human being. There are some shots of her in this movie that are stunning, and yet none of them are exploitative. They simply let the character be, often innocently unaware of just how friggin’ gorgeous she is. Take the scene where Chris Pine falls asleep next to her on the boat. She doesn’t think someone sleeping next to her is sexual in the least, even when Captain Kirk is super nervous and breathing hard. Priceless.

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…change their minds…

Now, can you imagine if a schmuck like Michael Bay had directed this movie? On second thought, don’t imagine that. I think I threw up a little in my mouth. It burns…it burns…

There’s another point here I’d like to touch on, but it requires a short aside. Not long after the magnificent Jessie Graff made her epic run through the American Ninja Warrior course (look it up, it’s incredible), I took my 3-year old to a local playground. There, I noticed a young girl of perhaps eight or nine, who made it her business to climb all the way to the top of the monkey bars, and then make her way up the safety netting, which is not there for climbing.

When she reached the top, she proudly called out: “Look, Mom! It’s like on Ninja Warrior!” I knew immediately what she meant, and who had inspired her to reach for that top height. A whole slew of young girls will take Jessie’s incredible determination and strength to heart and try to find it within themselves. (Jessie is also the lead stunt woman for Supergirl on the CW, BTW. Another DC reference! Zing!)

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She dressed as…you guessed it.

The same is true with this movie. Look, I’m under no illusions that as a white guy I have it pretty good when it comes to inspiring superhero archetypes, both now and when I was growing up. I don’t have to look far at all. Superman, Batman, Spider-Man, Captain America, Iron Man, Thor, Wolverine, the list goes on and on.

And I’ll admit I’ve taken it for granted. But seeing this movie, seeing how well it handled the lead character, it makes me realize how lacking that field of super-heroic role models has been for women. Sure, I’ve always known that intellectually, but this movie showed me that on a more visceral level. We need little girls growing up with the belief that they can do anything, that they can change the world, and fight injustice.

Seventeen years, folks. We’ve had had seventeen years of comic movies in this current run. Kids born when the original X-Men premiered in theatres are now driving. And we’re nine years deep into the MCU. In all that time, with dozens of titles, Wonder Woman is the first major blockbuster release to have a female lead. (Yeah, yeah, I know Catwoman and Elektra exist, but both were more than 10 years ago, and both were half-hearted attempts, at best.)

So as much as the DCMU seems like it’s reaaally trying to emulate the MCU, and desperately play catch-up, Wonder Woman is both the DCMU’s first real triumph, as well as the moment that it surpassed its Marvel counterpart.

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Hey, remember that time when Marvel had an academy award-winning actress as a super-cool character that had been around since Iron Man 2, and immediately decided to give her own movie franchise, so she could have her own awesome adventures and be the lead in her own story?

Yeah, me neither.

But back to DC, Wonder Woman had a lot of pressure placed on it. It had to succeed so that the studios could see that a female lead could deliver a block buster. It shouldn’t have had to bear that brunt, but it did. AND, the movie was way under-marketed leading up to its release. That strikes me as the studios hedging their bets in case the movie tanked – a cowardly move considering how much press that other one got, and was utter tripe.

But Wonder Woman most certainly didn’t tank. And because it didn’t have a swollen marketing budget to overcome, in addition to its production budget, more of the revenues can go back into the coffers. If there’s one thing that speaks in Hollywood, it’s money. At the time of this writing, I believe a sequel is already in the works with Patty Jenkins once again at the helm.  That’s, well…wonderful.

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A new Dynamic Duo.

So, despite adversity, Wonder Woman shattered expectations (from studios and audiences alike). If there was ever a doubt that a super heroine couldn’t hold the field with as much spirit and strength as her male counterparts, Wonder Woman smashed it.

Smashed. It.

In this case, life imitates art, because Diana is all about smashing stereotypes in the comics. You underestimate her, and you are likely to find yourself defeated and huffing for breath in her wake.

Like I said, life imitates art.

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…and change the world!

And so…

Your move, Marvel.

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Fanboy Movie Review #7 — Guardians of the Galaxy Vol. 2

[Note: I do not consider myself a movie critic. What follows is just one fanboy’s opinion based off of a single double viewing of the film. Oh, and there are SPOILERS ahead, so take heed.]

The Guardians of the Galaxy are back for Vol. 2! Has it really been three years since Volume 1? Star-Lord, Gamora, Rocket, Drax, and Baby Groot, plus a number of new and returning characters — the gang’s all here.  Here are my thoughts on the latest installment.

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Yaaaaaas!

First Impressions:  I really enjoyed the first Guardians of the Galaxy. That movie was such an unexpected treasure. It wasn’t without its flaws, but it stands as one of my favorites in the whole of the Marvel Cinematic Universe. James Gunn has returned to helm this new Guardians adventure, so I’m definitely onboard. Let’s see how it goes.

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I’m Mary Poppins, y’all!

What I LIKED:

  • YONDU! I think the whistling, blue-skinned Ravager stole the show. Michael Rooker nails it. We haven’t lost many characters in the MCU (so far), so I think that this is the most saddening loss we’ve seen so far. I’m Mary Poppins, y’all! *sniff, sniff*
  • Chris Pratt! He’s as funny as ever, but this is some of the best acting I’ve seen from him. The moment where Ego puts stars in his eyes, his entire physicality changes, and there is an alien sadness and wonder to him that’s fantastic.
  • Awesome Mix, Volume II! Once again, a great pick of classic hits to shade and nuance the story. Fun Fact: Fleetwood Mac’s “Rumors” album is one of my favorite of all time, so I loved hearing “The Chain” during that critical battle was awesome sauce.
  • Kurt Russell! By his very name, Ego is a pretty over-the-top character. The same could be said of many aspects of the story, but I’m okay with OTT in both because it’s Guardians of the Galaxy, AND because Kurt Russell has played two of the most OTT characters in all of cinema: Snake Plissken and Jack Burton. Seeing him in this story was a treat.
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Little did we know that Ego stuck around on Earth, became a truck driver, and had many adventures on the ol’ Pork-chop Express.

  • Drax’s continuous laughter. He was such a dour and serious character in the first film. Seeing him give bellowing, Herman Munster-esque laughs at almost everything was both funny and a testament of how the character has moved past his incredible grief.
  • All the scenes with Drax and Mantis. The best is when she touches him and is immediately overwhelmed with emotion while Drax sits calmly, smiling. I love this scene.
  • Baby Groot. I will miss him when a moody, Teenage Groot is there instead.
  • The art direction in this movie is off the rails. From the golden appointments of the Sovereign, to Ego’s psychedelic landscape, Volume 2 is a visual masterpiece.
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Somebody’s about to start singing “Goldfinger” or “Xanadu.”

  • All the after-the-credits stingers.
  • The end credit sequence, which looks like old album art, and random names that change from “I am Groot.” And Zaadu Hasselfrau, er…David Hasselhoff singing “Guardians Inferno.”
  • Minimal meta-plot. I went in expecting the Guardians to snag another Infinity Stone, but the main story (thankfully) had nothing to do with Thanos. The story could be its own thing rather than being a validation of what has gone before and a setup for things to come (the main problem with Age of Ultron.)
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IT’S ALLEGORICAL…no, wait.

What I DIDN’T Like:

Nitpicks:

  • Maybe it’s just my Dungeons & Dragons roots, but I don’t like it when they split the party. The Guardians are all together at the very beginning and at the end. For most of the movie, they aren’t together.
  • It felt like a few characters were underutilized, like Drax and Mantis. I really liked the scenes they were in, though. Drax’s only real combat scene was at the very beginning, and that was secondary to Baby Groot’s dance number.
  • Speaking of which, I liked the Volume 2 opener, but it seemed like a CGI explosion rather than the fun, live-action dance number at the beginning of Volume I. I will say that it was a good introduction to the spirit of the movie, however, as Baby Groot doing his thing was the focus rather than the battle going on behind him. Battles weren’t the point of this movie.
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Daaaaawwww….

  • Rocket stealing the batteries. They tried to justify this a few times, but there was really no reason for him to do that, except that he had to have them for the end sequence. That felt like a stupid and unnecessary thing to do, even it was pretty funny.
  • The Sovereign, themselves. Gorgeous as their all-gold appointments were (Goldfinger anyone?), with a classic arcade drone pit, I don’t think they added much to the story other than to be another threat. Even though I know it’s a completely different actress, I swear that Ayesha looks like she’s played by Game of Thrones’ Sophie Turner.
  • Taserface. I didn’t find that gag all that great. The disappointed look as a golden-faced lady laughs at his name was pretty funny, though.
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What? No Tango and Cash reunion?

Unresolved Questions (At This Point):

Was Ego a Celestial in the sense of what was established elsewhere in the MCU (the immense armored figures shown in Volume I), or is ‘Celestial’ more of general classification of godlike beings? It’s a little odd that Ego was a giant brain that built a planet around itself, whereas Knowwhere, the home of the Collector, was a severed head of a Celestial, which was itself the size of a planet.

Quill might not be immortal now, but he’s still a half-celestial. Does that mean that he might still have some latent powers because of it? Will this come into play when all the Infinity Stones are brought into one place?

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Sir Not-Appearing-In-This-Film

Also, what part will Nebula play in the coming battle against Thanos? When will Adam Warlock make his grand entrance? (Truth be told, I thought they were going to hand Adam’s role over to Doctor Strange. Guess not.)

What happened to Quill’s ship, the Milano? Did the Ravagers take it with them since their ship, the Eclector, was large enough to accommodate several ships of that type (like the one taken by Nebula), or is it still left in half repair in the forest on Berhert?

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Guardians….gather!

Conclusions:

While I would have preferred to see the Guardians together as a team throughout the movie, I thoroughly enjoyed Volume II. Marvel movies are normally billed as action-packed blockbusters. Volume II has some great action sequences, but it chooses instead to focus on the characters, and how there is more to them what’s simply on the surface.

And what better group to do this than the beloved characters of Guardians of the Galaxy? In focusing on the people rather than action, we get a chance to hang out with these characters for two hours. The emotion is there, from start to finish, and that is the real victory of Volume II.

And that’s the way this fanboy sees it.

(We Are Groot!)


Fanboy Review #5 – Captain America: Civil War

[Note: I do not consider myself a movie critic. What follows is just one fanboy’s opinion based off of a single (let’s be real here) double viewing of the film. Oh, and there are SPOILERS ahead, so take heed.]

This is the year of heroes fighting heroes. Batman and Superman. Daredevil and the Punisher. And, of course, #TeamCap and #TeamIronMan. Here are my thoughts on this pivotal moment in the Marvel Cinematic Universe, Captain America: Civil War.

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What’s so civil about war anyway?

First Impressions: I was not a fan of the Civil War comic book arc, and I could not wait for Marvel to hit the proverbial reset button on it. Furthermore, I’m not generally keen on superheroes fighting each other, but I understand why it happens. So, I’m already a ‘hard sell’ going into this, but this is the Russo Brothers we’re talking about, and Captain America: The Winter Soldier was excellent. Let’s see how this turns out.

What I Liked:

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UNDERROOS!

– I think the ideological conflict between Captain America and Iron Man is well argued on both sides. I can see why Tony believes that the Avengers need to be accountable to the nations of the world, and why Cap thinks that giving up the freedom to choose is a bad idea. I was afraid that the arguments would all be for Cap (since it’s his movie), but I felt drawn to both sides of the conflict at different times.

– SPIDER-MAN! Wow, Tom Holland totally nailed it. The scene between Peter Parker and Tony Stark may be my favorite scene in the entire movie. I am really looking forward to Spider-Man: Homecoming.

– Ditto for BLACK PANTHER! Chadwick Boseman was incredible as T’Challa. I can’t wait to see him in his own movie.

– The action set pieces in this movie are eye-popping. The fight at the airport is one of the best superhero action sequences I have ever seen on film. Full stop.

– We got Giant Man at last. 🙂

– Even the heroes that didn’t have much screen time all had their moments. Colonel Rhodes, Vision, Antman, Hawkeye…every single performance was outstanding.

– I loved Falcon’s new gadgets and how he used his wings as a shield to ward off bullets.  Also, his little drone “Red Wing.” Nice Easter egg there, guys.

– The moment when we see Tony firing his repulsors directly into Cap’s shield in slow motion. It only lasts for a second, but that scene is visual poetry.

– The Feels. I genuinely care about these characters, and watching them fight is rough. Heartbreaking, more like.

– These heroes at least try to talk to one another before coming to blows, unlike another much-publicized superhero showdown this year.

What I Didn’t Like:

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So was I…

– The VILLAIN. He seems completely superfluous, and is easily the weakest part of the story. The clash of ideas here was strong enough that they really didn’t need a puppet master behind the scenes. And this guy’s master plan requires far too much to go exactly the right way (factors he can’t possibly control) for it to go off.

– The villain’s plan actually works. Not completely, mind you, but he does a good enough job of splitting the Avengers to the point where it will take some time to get them back together.

– The underlying theme of blaming the heroes for stepping in to stop horrible things from happening. If an arsonist sets your whole city block on fire, and you lose your family in the blaze, would you really blame the firemen for not saving them? Or would you blame the arsonist who set the fire in the first place?

– How quickly Tony Stark turns on Cap and Bucky – again. I understand that Tony sees Bucky murder his parents, but it has been said time and time again that Bucky had been brainwashed to do it, that he was clearly not in his right mind. I understand the anger, and the feelings of betrayal since Cap knew about it and said nothing, but to immediately attack the both of them? That seemed like too much of a stretch.

– I find it a little hard to believe that the Avengers would have just packed up and left after Sokovia, and not stayed around to help with search and rescue efforts. In fact, we hear Tony mention the ‘Stark Relief Foundation’ after his rumble in the Hulkbuster armor. So, it sounds like the Avengers don’t just shrug their shoulders and peace out after one of their epic throw-downs.

Conclusions:

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How did it come to this?

I really liked this movie. When the MCU gets it right, which it does more often than not, it is a wonder to behold. The characterizations are all spot on, the acting first-rate, and the action gorgeous without being empty spectacle. I rate this newest offering right up there with the first Iron Man, Winter Soldier, and the first Avengers. It sets my little fanboy heart all aflutter. I hope to catch it another time or two before it leaves the theatres.

Hopefully, we are done with the heroes-fighting-heroes trope for a while, or worse yet, heroes being punished for doing right thing, risking their lives for others, and taking the blame anyway. We don’t need that kind of Christopher Nolan-esque crap in the MCU.

And that’s the way this fanboy sees it.

 


Fanboy Movie Review #4 – Star Wars: The Force Awakens

[Note: I do not consider myself a movie critic. What follows is just one fanboy’s opinion. Most of the time with these reviews I watch the movie only once, but let’s be real here…it’s Star Wars. I’ve seen it twice at the time of this writing. And as always, there are MAJOR SPOILERS ahead, so take heed.]

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Great! What does that mean, exactly?

Just as we thought, Star Wars: The Force Awakens has indeed shattered all sorts of box office records. Considering the dark, yawning abyss of the prequel trilogy (easily the greatest cinematic disappointment of folks my age), I went into this movie with neutral to low expectations. Fortunately, I had avoided spoilers with ninja-like online reflexes. J.J. Abrams is normally very good at what he does, but Star Trek: Into Darkness didn’t work for me on many levels, so it was with a fortified and guarded heart that I entered the move theatre.

First Impressions: I took the movie trailers with a grain of salt.  Phantom Menace’s trailer is still one of the best of all time, and we saw how that movie turned out. But, Disney is distancing itself from the prequels as well as tapping into the vast well of nostalgia that folks of my generation have for the original trilogy.

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Real guys don’t look at explosions…

What I Liked:

  • THE ACTING! Daisy Ridley, John Boyega, and Oscar Isaac. I really can’t say enough good things about the new folks. Absolutely amazing. Harrison Ford is one my favorite actors of all time, and his return to Han Solo is some of the best acting I’ve seen from him in years.
  • The fan service. I won’t lie, I enjoyed seeing throwbacks from the original. Seeing Han walk into the cockpit of the Millennium Falcon. Seeing him with Leia again. All those things really struck my nostalgia vein, even if I felt like they took it a bit far at times (see below).
  • The cinematography is gorgeous. They really used a good mix of practical and digital effects to push the story forward without it feeling like just a CGI beauty contest with no substance underneath.
  • BB-8. I didn’t think I would like him because he was an obvious stand-in for R2-D2. I was wrong. BB-8 is awesome and had a similar-but-different-enough personality from R2. *flashes a lighter in a thumbs up*
  • The moment when Rey calls the lightsaber to her to face Kylo Ren. When she ignites it for the first time…this is perhaps the most powerful scene in the movie, and that’s saying something. Wow. Again, Daisy Ridley. Totally sold.
  • Chewy’s rage. When a Wookie sees his best friend go down, fear for your freakin’ life. I just wish there had been more of it. Also, Leia feeling Han’s death through the Force. It was as though a billion fanboy voices cried out at the death of a fan favorite.
  • The emotion. After suffering through Manikin Skywalker, it is SO refreshing to see fear, happiness, pain, and sadness on the faces of our heroes. It brings it all home.

 

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Fine, just don’t take off the mask.

What I Didn’t Like:

  • The similarities to Episode IV. It’s been said, so I’ll keep this one brief. If the movie has a major flaw, it’s that it takes perhaps too many cues from the original trilogy, right down to bringing in the Death Star by another name. My hope is that Episode VIII can do something else that doesn’t feel like a remake of something that has gone before.
  • Lightsaber usage. They are one of the coolest weapons ever, but they are super impractical if you don’t have training. You are more likely to lop off your own leg than do anything to an enemy. Both Finn and Rey use lightsabers without any sort of training and actually do pretty well for themselves. Rey even bests Kylo Ren (who himself was trained by Luke). That was a bit hard to swallow. Luke didn’t have a lightsaber duel with anyone until the end of Empire, and that was at least after his training with Yoda.
  • The score. When I think of incredible movie scores, John Williams springs immediately to mind. Even through the wasteland of Phantom Menace, we at least got Duel of the Fates, one of the coolest pieces of movie music ever. Here, the score was just sort of ‘there’ and the moments where it really shines are really just rehashes of previous leitmotifs. It’s serviceable enough, but not really memorable. That’s disappointing.
  • Captain Phasma. She was billed as kind of a new kind of Boba Fett, and it’s Gwendoline Christie for crying out loud! She’s barely in it, and gets coerced into dropping the shields pretty easily. Why was she not the one that Finn fought with the lightsaber instead of random Stormtrooper #34, I’ll never know. Let’s hope she’s still alive because she had better play a bigger role in the next installment.
  • Kylo Ren. I appreciate that he’s not a mustache twirling villain, but I think Adam Driver was a complete miscast for this part. He is an able actor, but when he took his mask off for the first time, I thought “Wait, did they get Marilyn Manson to play this guy?” He’s whiny, he’s petulant, emo, and ignores the call of the light side of the Force for reasons we haven’t found out yet. Aside from looking completely badass with his mask on (which he certainly does), he doesn’t seem like he’s very good at being a bad guy. The only reason he gets Han is because he sucker punches him. Functionally, as the villain of the story, he’s pretty weak. With the heroes being miraculously good at what they do, he’s really out of his league.
  • General Hux. This guy is the most experienced commander the First Order has at its disposal? Despite being young and unimpressive, he is the direct analogue to Grand Moff Tarkin, played by the legendary Peter Cushing. He falls far short of anything approaching Tarkin’s screen presence or gravitas. Again, a complete miscast.
  • Han’s Death. It was a powerful moment to be sure, but one that was painfully telegraphed ahead of time. And THEN there is no real moment of mourning or ceremony to mark the passing of a legend. I understand the emotion surrounding it all, but that seemed like a lackluster end for a fan favorite. In a movie that doesn’t seem to take a whole lot of risks, and one that is all about fan service, killing off Han Solo seems like it is necessary only because Obi-Wan died in Episode IV.

Unresolved Questions (At Least in My Mind):

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More than I can count, I have.

Where to start? The movie leaves so many things unexplained. If I numbered them out, this blog post could wallpaper the walls of the Starkiller Base, so here’s just the highlight reel. Who left Rey on Jakku, and why? Is Rey Luke Skywalker’s daughter? If so, who is her mother? Or is she the twin to Ben Solo? Why did Ben turn to the dark side? Did no one (Luke, I’m looking at you) ever tell Ben that Anakin turned from the dark side before he died? Who is Supreme Leader Snoke? (The horrible Star Wars name generator strikes again!) How does Finn fit into all of this? Why did Han go to see Maz when BB-8 knew where the Resistance base was? Why was the Hosnian system so important that destroying it could ‘destroy the Republic,’ a polity which presumably consists of thousands of systems? How could the First Order, a shadow of the old Empire, build something as massive as Starkiller Base without anyone noticing? Why had they not used the super weapon before this time if it was already loaded? Why don’t they just drain a system’s sun and leave the planets to die in the cold? The list goes on and on. Let’s hope that Mr. Abrams doesn’t repeat the mistake with Lost and actually explains to us what’s going on.

Let’s Talk About Rey:

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There…is…annoootherr…Sky…walllkeerrr…

The character of Rey is pretty divisive, it seems. Is she a Mary Sue? Is she OP? Is the whole debate over her inherently gender-biased? Would we even have this discussion if the character were male?

Here are my thoughts: Yes, she does seem to be good everything. She’s a good pilot, hand-to-hand fighter, mechanic, climber, pistol shot, etc. She picks up Force powers with no training, and she bests Kylo Ren when she has never wielded a lightsaber before. It does seem a bit unbelievable, but it is a movie called ‘The Force Awakens,’ and Rey is obviously more steeped in the Force than anyone else around her. Isn’t that enough for us to suspend our disbelief?

But there’s something else going on here that I think is important. Star Wars isn’t really science fiction. Sure, it has starships and lasers and Wookies, but at its core, Star Wars is really a fantasy tale. A straight-up Joseph Campbell Monomyth. So, I think the character should be judged by fantasy standards. If we take Rey and plop her down into Middle-Earth or Krynn, do any of the arguments against her have validity?

Do we really question that Eowyn is able to take down the Witch-King of Morgul? What about Tauriel? We buy that she is excellent at everything (except perhaps picking a significant other) and practically indestructible just because she’s an elf. Why is Rey any different? Here we have a cool female protagonist that’s interesting, heroic, brave, athletic, and one that is not portrayed in a exploitative or sexualized manner.

We have been waiting for a character like Rey to come along. And if there’s going to be someone like her in popular fandom, Star Wars is the natural place for her to live.

 

Conclusions: 

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Oh, so THAT’s why Luke isn’t on the movie poster.

It always does my heart good to see good work rewarded. The last few years have made me a bit cynical on this point, particularly due to Michael Bay’s hatchet job on the Transformers franchise. Star Wars: The Force Awakens is a good movie, and I wish it well.

It is far from a perfect movie, however, and its flaws led me to merely like it a whole bunch rather than love it like the first Avengers. Still, it is wholly worth the price of admission. I plan to see to see it at least one more time before it leaves the theatres.

But walking out of the movie theatre twice, with all the feels I’ve carried with me, has made me wish that the name “A New Hope” hadn’t already been taken.

Onward to Episode VIII!

And that’s how this fanboy sees it.


Fanboy Movie Review #2  ̶  The Hobbit: The Battle of The Five Armies

[Note: I do not consider myself a movie critic. What follows is just one fanboy’s opinion based off of a single viewing of the film. Oh, and there are SPOILERS ahead, so take heed.]

This one has been stewing in my head since December. I took a stab at writing a review of TBOTFA back in January, but it was far too long. Here is the boiled-down version of that review in convenient Fanboy Movie Review format!

And a 1…and a 2…

Single tear

Well, five…give or take.

First Impressions:  While many didn’t like the first Hobbit movie, I did. Many thought the second Hobbit movie was far better, but I didn’t. (What was up with that gold statue anyway? And that barrel sequence?) This movie strikes me as being needlessly overcomplicated in almost every aspect. It embodies the ‘bloat’ effect of this trilogy.

What I Liked:

  • Thranduil. We get a sense of how powerful he is. This is what it looks like when the Elven King goes to war.
  • Thorin cured himself of the Dragon Greed, and made an epic comeback.
  • Speaking of the Dragon Greed, the cool way Thorin’s voice started to sound like a dragon.
  • War Rams! I’m not sure where they came from, exactly, or where they went afterwards, but sign me up!
  • The White Council laying the smackdown on the Nazghul. While Galadriel was inert for most of the scene, I must admit that her banishment of Sauron was pretty cool.
  • Smaug’s final speech. I still think that should have been the end of the second movie, but any scenes with Cumberbatch/Smaug, I’m destined to like (except the death scene, explained below.)
  • Speaking of Smaug, this is why you fear fire dragons. That first strafing pass over Laketown was terrifying. I am fire…I am death.
  • Thorin’s death scene. Armitage and Freeman nail every point of this scene. To me this scene is every bit as powerful as Boromir’s death in Fellowship of the Ring. Wow.
My brother, my captain, my king...

This scene is everything the rest of the movie wasn’t.

What I Didn’t Like:

  • The human ‘army’ is the smallest and least impressive of the five armies, yet only a handful can somehow hold off scores of rampaging orcs in plate mail.
  • The Elven army sort of disappears at times. It seemed like there are thousands of them lining the battlements of Dale, but during the battle it feels like they just vanish.
  • Both the Elven and Dwarven armies are so uniform in appearance that they look like a video game. There is nothing remotely believable about them.
  • We trade out main characters in this movie. Most of the original 13 dwarves are barely seen and have almost no screen time. Bard and Legolas have a much greater part than even Bilbo, after whom the movie is named.
  • Legolas jumping along falling blocks of stone. I started laughing.
  • Bard kills Smaug with an improvised, cobbled together bow, instead of the Wind Lance, which they had previously showed us. And how is his son not dead again?
  • Stephen Fry’s mayor character? Yep, as superfluous as I thought.
  • ALFRED! The entire character is useless, annoying, and gets away with no consequences to his actions.
  • Fili and Kili and their punk deaths. They deserved better than that.
  • That weird kite thing that Azog uses to direct his troops. Did no one see him setting that up?
  • If the orcs had pressed their attack, they would have won. Sending troops into Dale was completely unnecessary.
  • The arrival of the giant eagles was underwhelming, and the force of orcs they stop seems miniscule compared to that first establishing shot of Azog’s main army.
  • Azog busting out of the ice. Let me say that again: AZOG BUSTING OUT OF THE ICE.
  • Tauriel doesn’t get to take down Bolg. In fact, she doesn’t get to do much of anything in this film.
  • Thorin’s cousin, Dain. What a cartoon character, and not in a good way.
Nope!

So Bard can MacGyver up a weapon that can match the power and precision of this siege engine? Sounds legit.

Unresolved Questions (At Least In My Mind):

Too many to list in a simple blog post. Most of them have nothing to do with the plot of the movie, and more to do with the decisions that led them down this path. This is the same team that gave us the original LOTR trilogy, which I love. The unresolved question in my mind is simply: Oh, Peter Jackson, what happened?

:_(

Oh, Bilbo, you deserved so much better.

Conclusions:

I went back and watched the original LOTR trilogy. More than a decade on, and they are still excellent. I still don’t care for the parts like Legolas and the Oliphant, but the emotion is there, same as it ever was. Sure, Gollum doesn’t look as polished as he did in the first Hobbit movie, but Lurtz, captain of the Uruk-Hai, is still terrifying. Why? Because it is a man in make-up, not a CGI construct. The effects in the new Hobbit trilogy looked bad in the theatre, so just think of how dated they will seem as time passes.

As I said, TBOTFA embodies how bloated and overdone the Hobbit trilogy is. Most of it felt unnecessary and gratuitous, with none of the deep emotional resonance of LOTR. I tried to like this movie, I really did. While there are gems seeded throughout the film, you have to suffer through endless digital armies clashing over and over again to get to them.

Are we fortunate or unfortunate that TBOTFA will likely be the last movie set in Middle-Earth? I’m still trying to work my way through that one.

In the end, it feels as though this movie is a Master’s thesis in missed opportunities. We end the trilogy not with a bang, but a Star Wars-esque whimper.

And that’s how this fanboy sees it.