Tag Archives: Civil War

Fanboy Review #5 – Captain America: Civil War

[Note: I do not consider myself a movie critic. What follows is just one fanboy’s opinion based off of a single (let’s be real here) double viewing of the film. Oh, and there are SPOILERS ahead, so take heed.]

This is the year of heroes fighting heroes. Batman and Superman. Daredevil and the Punisher. And, of course, #TeamCap and #TeamIronMan. Here are my thoughts on this pivotal moment in the Marvel Cinematic Universe, Captain America: Civil War.

civil-war-147831

What’s so civil about war anyway?

First Impressions: I was not a fan of the Civil War comic book arc, and I could not wait for Marvel to hit the proverbial reset button on it. Furthermore, I’m not generally keen on superheroes fighting each other, but I understand why it happens. So, I’m already a ‘hard sell’ going into this, but this is the Russo Brothers we’re talking about, and Captain America: The Winter Soldier was excellent. Let’s see how this turns out.

What I Liked:

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UNDERROOS!

– I think the ideological conflict between Captain America and Iron Man is well argued on both sides. I can see why Tony believes that the Avengers need to be accountable to the nations of the world, and why Cap thinks that giving up the freedom to choose is a bad idea. I was afraid that the arguments would all be for Cap (since it’s his movie), but I felt drawn to both sides of the conflict at different times.

– SPIDER-MAN! Wow, Tom Holland totally nailed it. The scene between Peter Parker and Tony Stark may be my favorite scene in the entire movie. I am really looking forward to Spider-Man: Homecoming.

– Ditto for BLACK PANTHER! Chadwick Boseman was incredible as T’Challa. I can’t wait to see him in his own movie.

– The action set pieces in this movie are eye-popping. The fight at the airport is one of the best superhero action sequences I have ever seen on film. Full stop.

– We got Giant Man at last. 🙂

– Even the heroes that didn’t have much screen time all had their moments. Colonel Rhodes, Vision, Antman, Hawkeye…every single performance was outstanding.

– I loved Falcon’s new gadgets and how he used his wings as a shield to ward off bullets.  Also, his little drone “Red Wing.” Nice Easter egg there, guys.

– The moment when we see Tony firing his repulsors directly into Cap’s shield in slow motion. It only lasts for a second, but that scene is visual poetry.

– The Feels. I genuinely care about these characters, and watching them fight is rough. Heartbreaking, more like.

– These heroes at least try to talk to one another before coming to blows, unlike another much-publicized superhero showdown this year.

What I Didn’t Like:

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So was I…

– The VILLAIN. He seems completely superfluous, and is easily the weakest part of the story. The clash of ideas here was strong enough that they really didn’t need a puppet master behind the scenes. And this guy’s master plan requires far too much to go exactly the right way (factors he can’t possibly control) for it to go off.

– The villain’s plan actually works. Not completely, mind you, but he does a good enough job of splitting the Avengers to the point where it will take some time to get them back together.

– The underlying theme of blaming the heroes for stepping in to stop horrible things from happening. If an arsonist sets your whole city block on fire, and you lose your family in the blaze, would you really blame the firemen for not saving them? Or would you blame the arsonist who set the fire in the first place?

– How quickly Tony Stark turns on Cap and Bucky – again. I understand that Tony sees Bucky murder his parents, but it has been said time and time again that Bucky had been brainwashed to do it, that he was clearly not in his right mind. I understand the anger, and the feelings of betrayal since Cap knew about it and said nothing, but to immediately attack the both of them? That seemed like too much of a stretch.

– I find it a little hard to believe that the Avengers would have just packed up and left after Sokovia, and not stayed around to help with search and rescue efforts. In fact, we hear Tony mention the ‘Stark Relief Foundation’ after his rumble in the Hulkbuster armor. So, it sounds like the Avengers don’t just shrug their shoulders and peace out after one of their epic throw-downs.

Conclusions:

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How did it come to this?

I really liked this movie. When the MCU gets it right, which it does more often than not, it is a wonder to behold. The characterizations are all spot on, the acting first-rate, and the action gorgeous without being empty spectacle. I rate this newest offering right up there with the first Iron Man, Winter Soldier, and the first Avengers. It sets my little fanboy heart all aflutter. I hope to catch it another time or two before it leaves the theatres.

Hopefully, we are done with the heroes-fighting-heroes trope for a while, or worse yet, heroes being punished for doing right thing, risking their lives for others, and taking the blame anyway. We don’t need that kind of Christopher Nolan-esque crap in the MCU.

And that’s the way this fanboy sees it.

 

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Brian’s Comic Contemplations II — The Miles Morales Syndrome

[Brian is a HUGE Spider-man fan. In all my travels, I have never encountered a bigger fan of the wall-crawler. Here are some of his thoughts and opinions on the State of the Spidey.]

Now that my first rant about Deadpool is ancient history, I thought I’d offer Matt another break from the blogging grind with another guest submission before he changes his mind. So here are a couple of similar issues that leave me bewildered when it comes to the comic book world.

Watch out, here comes the Spider-Man...

Just your friendly neighborhood…yeah, you know the rest.

At a point several years ago, Marvel decided they needed a new, more modern Spider-Man. One that reflected the cultural realities in the U.S. population. So, they introduced a new Spidey. A boy named Miles Morales. They then “killed” the character Peter Parker.

This is something that really chaps my Boo Berries. Look, I realize that comic book and movie companies are influenced by marketing departments. And I know we live in a politically-correct, inclusive society. Hey, I welcome that. Not complaining. But why slough-off the development of multicultural characters?

Why take the cheap route? Once again, indolence, I assert.

All this back and forth with the Spider-Man identity prompted some good things in the comic world. Notably, the Spiderverse storyline and, by some extension, The Superior Spider-Man tales. But it also spurred on the dubious debate as to which Spider-man would be introduced into the Marvel Cinematic Universe (MCU). With the huge success of the Iron Man Franchise, Guardians of the Galaxy, and The Avengers, Marvel had its mouth watering to reclaim the legendary web slinger and (perhaps correctly) add him to the already impressive MCU roster.

He's got radioactive blood...

As it should be.

Of course, this is all after Sony pictures launched and failed two cinematic iterations of the character. (Tobey McGuire and Andrew Garfield). Regardless of what you think of those movies, Marvel thinks they can do better. And their current box office track record may make for a compelling argument. At last look, Marvel’s Cinematic Universe had grossed an astonishing $7.787 billion at the worldwide box office. (And that was before Ant Man.)

But then the debate started as to which Spidey they would add to their upcoming Captain America: Civil War film – as an introduction back into the MCU.

What?

The “debate” has long since been settled with Marvel finally deciding that our old buddy Peter Parker would get another kick at the can instead of Miles Morales.

Don’t get me started about the casting. (Tom Holland, Asa Butterfield, etc.) I have no idea what the logic was there, but suffice to say, this wall-crawler, for better or worse, will be more akin to a Spiderboy than a Spiderman. Going back to the era when Spidey/Peter Parker was a high-school teen is a decision that may or may not work. I started reading Spiderman comics at about Amazing Spiderman #40 with the late, great John Romita Sr. back in the late ‘60s, and by then, he was becoming a Spider-MAN, but I won’t quibble with the youth-movement approach to the MCU story, because I DO understand the tactic. And it does bear continuity with the early stories. So, fair enough.

Take a look...overhead...

Spider…um, man?

But a while back, I read a blog by an, evidently, selfish individual who submitted that there was no place for a white Spider-man in the Marvel Cinematic Universe – clamoring, “Enough Peter Parker!”  Well, Sir, THAT is YOUR opinion. Yes, I’m sure there are others who may share your view. Lord knows, I’d certainly hate for you to have to take into account the opinion of someone who has been rooting for ‘ol Petey since I was old enough to read.

Despite being the white-bread character he was originally conceived, Mr. Parker became, arguably, the most popular Marvel superhero, and has remained so for over 50 years. That’s focus group testing you can’t ignore.

Go change the identity of Batman or Superman… leave Spidey alone! (No, I don’t want that either, but you get the point, right?)

You want more ethnic /socially representative characters? By all means! Have at it! But do me a small favor, get up off your cognitive arses and use your imagination!

Here’s a novel idea: Create! Make up a new character – See Female character rant below. Don’t just “mail it in” with a convenient reiteration. Do the work. EARN your way to popularity. The way that Stan Leiber and his little science nerd did back in 1962.

Spins a web...any size...

So, what do you REALLY think, Brian?

Stop ripping off other people’s ideas. And YES, I’m looking at characters like you, John Stewart!

There’s already fantastic, ethnic characters represented in comics: Black Panther, Falcon, Spawn, Vibe, Luke Cage, Firestorm, Cyborg, etc. – It CAN be done!

BONUS CONTEMPLATION:

Female Versions of Almost Every Character – Why do comic book companies feel compelled, or perhaps obligated, to create a female version of a popular character? It comes off as SOOO contrived… and repetitive – and uncreative. It’s not that I don’t like female heroes. They’re great. But it’s like saying, “Let’s market a pink keyboard.” It takes character creation to a mass-production mentality. I.E; Nice shirt does it come in plaid? Marvel and DC already wallow in a sea of sameness with heroes, why take the easy way out with female characters? Comic writing should be a creative art form. Not a flippin’ mimeograph.

Rant over. Attack at will. 🙂

[Do you agree with Brian about Spider-Man? Yes? No? Let us know in the comments!]